Cover | An Exclusive Encounter with Nefe Ogodo, Unravelling the Man of the Moment in Africa’s Visual Arts Landscape.

Nefe Ogodo stands as a trailblazer, a mentor, and an innovator in the world of art. His creations are a vibrant appreciation of energy and ideas, drawing one in with their captivating colors and compelling motifs. Each piece invites you into a world where admiration intertwines with immersion.

In an exclusive conversation with Ireho Aito, Nefe Ogodo shares the profound impact of his life’s journey and the invaluable inspiration drawn from Africa’s esteemed luminary, Professor Bruce Onobrakpeya, on his artistic path and career.


Q: Let’s meet Nefe Ogodo. Could you share memories of your family, upbringing, and childhood years?
A: I was born and raised in Warri, Delta State. My passion for drawing bloomed early—I filled my exercise books with sketches and adorned neighborhood walls and cars. Even at 8, I was crafting movie storylines in my school notebooks.

Q: How has education influenced your artistry?
A: Education has been paramount. It bestowed me with the boldness, strength, and artistic agility I possess today. Many talented friends lacked formal education in art and fell behind in their artistic journey.

Q: What transformations have you observed in Africa’s visual art sector?
A: Significant changes have occurred. Western art once dominated, but now African art commands global attention. Artists address societal issues through diverse mediums, fostering a cultural awakening among Africans appreciating art for its depth and significance.

Q: How did the COVID-19 pandemic impact your art?
A: Surprisingly, the pandemic fueled some of my finest artworks and sales. It made me contemplate my legacy, urging me to live each day as if it were my last.

Q: Your platform, Black Artists Worldwide—could you elaborate on its objectives?
A: The platform aims to nurture budding artists by offering support with funds, art supplies, and curated exhibitions. The goal is to empower talents and eliminate creative limitations.

Q: Has social media reduced the significance of galleries in art marketing?
A: Social media bridges the gap between artists and global audiences. Artists can showcase and sell their work globally. Galleries benefit from increased patronage through these platforms.

Q: What influences shape your art, and how does your creative process unfold?
A: My inspiration stems from artists like Professor Bruce Onobrakpeye and our ancestral footprints. I immerse myself in African history, envision cultural spectacles, and translate them into sketches.

Q: Could you highlight the themes and messages conveyed through your art?
A: I aim to authentically portray African culture and history, often misrepresented by external narratives.

Q: What mediums and techniques resonate with you, and how have you adapted to resource challenges?
A: Like my mentor, I experiment in the studio, using available materials. I’ve even created unique works using unconventional tools, adapting to scarcity.

Q: Engaging with your community—any initiatives or projects you’re involved in?
A: I’ve offered free art classes in Abuja and intend to expand this outreach through the Black Artists Worldwide platform.

Q: What unique perspective do Nigerian artists offer to the global art scene?
A: Nigerian artists enrich the global canvas by sharing authentic African narratives through their art.

Q: How does your cultural identity influence your work, and how do you balance tradition and innovation?
A: My cultural roots inspire me, and I strive to balance tradition and innovation by weaving historical themes into contemporary expression.

Q: Envisioning audience interaction and future aspirations—how do you hope your audience engages with your art, and what are your future plans?
A: I aim for audiences to perceive and engage deeply with the African stories my art portrays. My aspiration is continual evolution in my artistic journey, sharing narratives that resonate globally.

Interview/Ireho Aito/Don’t Keep Your Art in the Finger!/Images/Nefe Ogodo archives

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