She epitomizes flamboyance and unwavering support in the royal circles of Lagos. She is Erelu Abiola Dosunmu Fernandez. Her new project, Erelu Yeye Odua Cultural Renaissance Center – Museum of Living Art is Africa’s most important cultural home. Words by Ireho Aito

Erelu Abiola Dosunmu Fernandez stands tall as one of Africa’s most prominent art collectors, her contributions to the realms of art and humanity immeasurable. She is a beacon of grace for Nigeria’s art sector, her royal presence seamlessly intertwining with another titan of African art, Biodun Omolayo, curator of the group exhibition.
In the realm of industry, she stands as a towering pillar; in service to humanity, she gives generously, with no strings attached. Her motherly love is a source of pure admiration.

Erelu Abiola Dosunmu Fernandez unveils her vision at the Erelu Yeye Odua Cultural Renaissance Center – Museum of Living Art, a haven designed to nurture cultural builders. Reflecting on her first-ever commissioned work and collected artwork, she shares poignant memories of her late husband and the enduring vibrancy of the pieces that adorn her collection.

And she also commented on her first ever commissioned work and artwork ever collected. “The first artwork I commissioned was in the late 1960s. My late husband was in the military. And you won’t believe that I barely remember seeing him putting on a uniform till we got married. The first time I saw in uniform, I was so impressed and I actually commissioned an artist to do a portrait of him in his uniform,” she explains.
“My first collected artwork was is a beautiful painting of three dancers in the most amazing costume of yellow, gold and hues of red on the background of black canvas. And you won’t believe it that till today, the colours remain sharp and clean like it was just done yesterday by an unknown artist,” she reminisces.
As we strive to bring more joy and value to life, the Renaissance Center stands as a shining example of what is possible when we come together in pursuit of a common goal. Funded largely from her personal purse, Erelu Abiola Dosunmu Fernandez’s dedication to the Center’s mission underscores her unwavering commitment to nurturing the arts and enriching lives.

A Visionary Center for Cultural Revival
Biodun Omolayo, the curator, sheds light on the significance of the Erelu Yeye Odua Cultural Renaissance Center – Museum of Living Art. Positioned as a hub for cultural resurgence, the center aims to transcend its current venue, envisioning a grand museum that will serve as a beacon of artistic expression and cultural preservation.

Empowering Communities Through Art
Temporarily in Kofo Abayomi Drive in Ikoyi, Lagos, the center, according to Erelu Abiola Dosunmu Fernandez, is more than just a gallery; it’s a nexus of empowerment. Rooted in the ethos of giving back and uplifting communities, the center embodies a mission to save humanity through cultural enrichment.
A Hub for Artistic Innovation
As affirmed by Biodun Omolayo, the center’s CEO, plans are underway to establish an artist residency within the forthcoming 10-storey building. This initiative will foster creative exchange and nurture emerging talents, positioning the center as a catalyst for artistic innovation and growth.
Global Relevance and Impact
Inspired by cultural centers worldwide, such as the Louvre in Paris, the British Museum in London, and the Smithsonian Institution in Washington D.C., the Erelu Yeye Odua Cultural Renaissance Center aspires to emulate their transformative impact. By providing a platform for cultural exchange and artistic expression, the center seeks to enrich not only Nigerian society but also contribute to the global cultural landscape.
Financial Sacrifice for Cultural Preservation
Erelu Abiola Dosunmu Fernandez’s personal investment underscores her unwavering dedication to the center’s mission. Despite financial challenges, her commitment to preserving and promoting Nigerian culture remains resolute, reflecting a deep sense of responsibility and stewardship for future generations.
Words/Ireho Aito/Don’t Keep Your Art in the Finger!
