Nigerian sculptor, multimedia engager and social commentator, Charles Essang Okereke draws attention of people and stakeholders to a curious opinion that needs the attention of everyone.

Words Ireho Aito

He lives his art. He is an educator and social rights campaigner. Charles Essang Okereke does not mince words in his analyses. He draws attention to his observation. The founder of Alexander Academy of Arts, Design and Alternative methods, criticizes the trend of Nigerian banks organizing exhibitions, accusing them of seeking undeserved recognition and exploiting artists. He asserts that these exhibitions lack a sustainable approach and are essentially scams, benefiting the banks more than the artists. According to Essang-Okereke, the banks fail to invest in the development of artists by providing training, support, or grants, instead preying on the ignorance and naivety of younger artists for their own gain. He launched this tirade on the microblogging site, Facebook.

Examining the curatorial arrangements and selection processes of these exhibitions, Essang-Okereke sees a clear indication of mediocrity and opportunism. He compares the atmosphere to that of a marketplace, suggesting a lack of genuine appreciation for artistic merit. In his view, the actions of these banks exploit the poverty prevalent in the artistic community, taking advantage of artists’ desperation for recognition and financial support.

Essang-Okereke’s critique highlights the imbalance of power and resources between banks and artists in Nigeria’s art scene. He believes that the banks’ motives are driven by a desire for fame and profit rather than a genuine commitment to supporting artistic talent. By failing to invest in artists’ development and resorting to exploitative practices, the banks perpetuate a cycle of inequality and hinder the growth of Nigeria’s artistic community.

In essence, Essang-Okereke condemns the banks’ exploitation of artists for their own gain, portraying their involvement in organizing exhibitions as opportunistic and lacking in genuine support for artistic development. He calls for a more equitable and sustainable approach that prioritizes the empowerment and fair treatment of artists in Nigeria.

Words/Ireho Aito/Don’t Keep Your Art in the Finger!/Pictures/Charles Essang Okereke