He is the proud son of a renowned father. While some finds it difficult to fill into the shoes of their bloodline, Oliver’s foundation has given him that edge to uphold his family’s legacy and continue never to be distracted. For him, today, the shoes have diamond that are priceless like Enwonwu’s art. It remains a continued legacy

Words Ireho Aito

In 2018, when Oliver Enwonwu was invited to Abuja as part of the dignitaries welcoming Prince Charles, then Prince of Wales, some may have initially thought the photos were doctored when they saw Oliver warmly shaking hands and chatting with the Prince. However, this Good afternoon sir moment was a continuation of the Enwonwu family’s longstanding relationship with the head of the Commonwealth. Oliver’s father, Professor Ben Enwonwu, had received a royal commission in 1956 and sculpted the young Queen Elizabeth II in 1957, when Prince Charles was just nine years old.

The Enwonwu legacy persisted seamlessly into the next generation, as both Oliver and King Charles dutifully carried out their family obligations, leaving a mark on the world through their consistent activism and generous hearts.

Since the passing of the baton from father to son, the name Enwonwu has remained prominent. Countless exhibitions have been hosted at the Omenka Gallery, even after Ben Enwonwu’s passing, underscoring the continued legacy of the family.

Rooted in the illustrious lineage of his father, the legendary Ben Enwonwu, Oliver’s artistry serves as a testament to the enduring legacy of Nigerian talent. Infusing each masterpiece with a captivating blend of modernity and cultural pride, Oliver brings a contemporary flair to traditional themes, following in his father’s footsteps with grace.

Oliver Enwonwu stands out as a multifaceted individual— a gentleman brimming with life, an artist with profound depth, and a curator with extensive training. His commitment to family shines through as he gathers among loved ones.

As the son of the enigmatic Ben Enwonwu, Oliver continues the family tradition of duty and dedication to art. Much like his father, Oliver has contributed significantly to the art world, from his leadership in the Society of Nigerian Artists to his innovative ventures in art consultancy. Just as art publicity was essential to his father’s relevance, Oliver has embraced it with Omenka Magazine, named after his father’s gallery, Omenka Gallery, in the upscale Ikoyi neighborhood. The magazine, both in print and online, has garnered international acclaim, further solidifying the Enwonwu name in the global art community.

Words/Ireho Aito/Don’t Keep Your Art in the Finger!/Pictures/Ben Enwonwu Foundation/Oluver Enwonwu Archives