In this exclusive interview with iBAND Magazine, Lagos-based visual artist Dudu Emmanuel delves into the impact of his recent participation in two consecutive group exhibitions, “Constellation” and “Common Front.” Conducted by Ireho Aito, the conversation explores how these back-to-back showcases have influenced Emmanuel’s creative process and artistic approach. As a prominent figure in Nigeria’s vibrant art scene, Emmanuel offers insights into how these exhibitions have shaped his perspective and contributed to his evolving body of work. Common Front exhibition opens on the 6th of September 2024 in South Carolina, USA.

How does participating in the group exhibitions “Constellation” and “Common Front” back-to-back influence your creative process and overall approach to art?

The process has been challenging, but since the theme and context are related, it was somewhat easier. However, “Common Front” attracted more Western viewers compared to “Constellation,” which had a primarily Nigerian audience. The biggest challenge was size; the high cost of shipping to the US forced me to use smaller dimensions, which restricted my artistic freedom. As someone with an Afrocentric perspective, I didn’t focus on impressing viewers but rather created my art based on the inspirations I had at the time.

How does your work in the “Common Front” exhibition compare or contrast with the work you showcased in “Constellation”?

There isn’t a significant difference between the exhibitions, but “Common Front” was not about imposing local stories on Western audiences as “Constellation” was. “Constellation” was theme-specific for me, while “Common Front” had more freestyle arrangements. I even included some of my early works, which have already been sold.

In what ways has your experience with the Auchi Polytechnic Class of 1999 impacted your contributions to the “Constellation” exhibition?

We have been friends for a long time, and the internet has helped bridge the distance between us. It made it easier to see each other’s work and interact about ideas and materials. Knowing that we are the only art graduates in the country with the most practicing artists in a set, we pushed ourselves to make the exhibition a success, validating our claim.

How do you approach creating art for group exhibitions differently compared to solo exhibitions?

Preparing for a solo exhibition is honestly easier, as it requires a limited number of works. For “Constellation,” only three works per artist were proposed, totaling 42 pieces. In contrast, a solo exhibition often requires nearly that number of pieces, which is both difficult to produce and costly. Group exhibitions allow artists to test new ideas and refine them for a solo show.

What are the key differences in the audiences and contexts of the two exhibitions, and how do these differences affect your presentation of your work?

Educational background plays a major role in understanding different audiences. In Nigeria, art exhibitions are often attended by the upper echelon of society, while in the West, trends influence broader audiences. My art is meant to be enjoyed by everyone, not just a specific class, though its acquisition might seem elitist. Nevertheless, viewership is not for sale.

Can you share any specific challenges or insights you’ve gained while managing both exhibitions?

For “Common Front,” working with curators was crucial, as we had to rely exclusively on the internet. We had to adapt to their arrangements, unlike “Constellation,” where the process was managed collaboratively with the gallery.

How do you see your participation in these exhibitions contributing to your long-term artistic goals?

I believe this exposure will positively impact my career. The more I exhibit my work, the more relevant I become. It also serves as a testing ground for themes I plan to explore in my next solo exhibition.

Could you provide insight into the works you are showcasing at “Common Front”?

The works for “Common Front” focus on basic figurative and landscape themes, specifically highlighting daily activities in Nigeria. They are arranged to encourage viewers to reevaluate their immediate environment, either through comparison or other means.

What were your thoughts on the “Constellation” exhibition, particularly in the context of working with your Auchi Polytechnic Class of ’99 at Iwalewa Gallery of Art?

The experience brought back memories of our studio life and the camaraderie we shared. It was an amazing experience.

What can we expect from Dudu Emmanuel in the creative space for the rest of this year?

I might consider another group exhibition, but all will be in preparation for my next solo exhibition, scheduled for next year.

Common Front exhibition opens on the 6th of September 2024 at Anderson Arts Center, South Carolina, USA. The group exhibition runs till October 4th 2024.

Interview/Ireho Aito/Don’t Keep Your Art in the Finger!/Pictures/Artworks/Dudu Emmanuel