The Nigeria Art Society UK (NASUK) recently showcased its talent at the 1.54 Contemporary African Art Fair held at Somerset House, London.

Under the theme “Waves of Change: Artistic Journeys from Nigeria to Britain,” the exhibition highlights the vibrant connection between Nigerian artists and the British art scene. This collaboration presents a rich value of artistic expressions, celebrating cultural exchanges and underscoring the significant impact of Nigerian art on the global stage.

Dr. Hassan Aliyu, a pioneer founding member of NASUK and the current President led a star – studded Nigerian delegation to showcase their works at the prestigious event that caught the world thinking about issues of migration and applauding the positive gains of intercultural relations. Eyes stared on the works by Nigerian artists in the United Kingdom, heads were turned to appreciate and applaud the critical thinking of the cerebral artists. iBAND Magazine, continues to celebrate these special Nigerians representing Nigeria positively and brilliantly.

Dr. Hassan Aliyu’s latest offering, “The Apple Crumbles Like an Odyssey on the Bibby Stockholm,” at the Waves of Change: Artistic Journeys from Nigeria to Britain exhibition , offers a poignant reflection on the complexities of migration and cultural identity. Drawing from the historical context of post-war migration from West Africa to Britain, Aliyu’s work encapsulates the hopes and harsh realities faced by those who journeyed in search of a better life.

In the post-war era, migration from Africa to Britain surged as many sought to aid in reconstruction efforts after World War II. West African migrants arrived on ships like the MV Aureol, filled with dreams of a better life and promises of rights and citizenship. Yet, the stark reality they faced upon arrival revealed a deep chasm between hope and experience. This sense of cultural and social disintegration is encapsulated in my artwork through the symbol of an apple crumble, illustrating the erosion of local cultures and the betrayal of commitments made to these newcomers.

“My parents’ experiences mirror the struggles of many who faced systemic hostility in their pursuit of a new life in Britain,” revealed the President of Nigeria Artists Society United Kingdom, known as NASUK.

Upon entering the exhibition, visitors are immediately struck by the symbolism of the apple crumble—a representation of the cultural erosion experienced by migrants. This imagery serves as a powerful metaphor for the disintegration of promises made to newcomers and highlights the broader theme of betrayal within the migration narrative.

One of the most compelling pieces features the tragic story of David Oluwale, a victim of state-sponsored violence in the UK. Aliyu depicts Oluwale as a balaclaved figure adrift in the River Aire, with the silhouetted Bibby Stockholm in the background. This haunting portrayal speaks volumes about the racial injustices that have plagued the migration experience, echoing the artist’s familial connections to these historical events.

Aliyu explained more, “the tragic tale of David Oluwale, who endured state-sponsored violence and ultimately lost his life, serves as a poignant reminder of this journey. In my painting, Oluwale is depicted as a balaclaved figure adrift in the River Aire, with the silhouetted Bibby Stockholm in the background. His story is emblematic of racial injustice, revealing the erosion of the promised ideals of equality and fairness that accompanied post-war migration.”

This narrative resonates with the concept of an “Odyssey”—a long, challenging journey marked by hardship, where the anticipated destination turned out to be unwelcoming. The hostile climate for migrants was further inflamed by Enoch Powell’s infamous “Rivers of Blood” speech, which incited fears of racial conflict stemming from immigration. Such rhetoric reflected a broader societal resistance to changing demographics and deepened the divide through racist discourse.

Aliyu’s exploration extends to the societal hostility encapsulated in Enoch Powell’s infamous “Rivers of Blood” speech, which incited fears around immigration and racial conflict. His work critiques the ongoing challenges faced by migrants today, particularly under the current Hostile Environment Policy, which continues to undermine their rights and dignity.

The selection not only serves as a commentary on cultural imperialism and migration but also stands as a testament to the resilience of communities confronting systemic injustice. By connecting personal histories to larger narratives, Dr. Aliyu invites viewers to reflect on the enduring impact of colonial legacies on contemporary migration patterns.

“Today, policies like the Hostile Environment continue to undermine migrant rights and dignity, echoing a troubling historical legacy. My artwork connects personal and collective histories, serving as both a critique of cultural imperialism and a testament to ongoing struggles against systemic injustice.”

As migration remains a contentious topic, Aliyu’s work urges us to confront the historical injustices that shape present realities. This exhibition, ‘Waves of Change: Artistic Journeys from Nigeria to Britain’, is not just an artistic endeavour; it’s a vital conversation about identity, belonging, and the ongoing struggle for equality in an ever-evolving world.

1-54 Art Fair NASUK Art Talk: Prof. Paul Goodwin in conversation with Assoc. Prof. Louisa Uchum Egbunike, curator of Waves of Change: Artistic Journeys From Nigeria to Britain, alongside participating artists Dr Hassan Aliyu, Lara Ige-Jacks, Chike Azuonye, Dr. Ade Ogundimu and Obi Okigbo courtesy of Dr Hassan Aliyu, Imoesi Imhonigie and NASUK