“Deconstructing Unity,” a groundbreaking group exhibition opening at the National Museum in Lagos from April 25th to April 30th, 2025, brings together four celebrated artists: Abdulrazaq Ahmed, Klaranze Okhide, Moses Oghagbon, and Kunle Ogunfuyi.

Abdulrazaq’s contribution, inspired by the Argungu Festival in Kebbi State, Nigeria, explores community and collaboration through mixed-media art.

His thought-provoking piece, “Shield of Connection,” weaves together diverse materials to symbolize the beauty of individual narratives within collective experiences.

By deconstructing the notion of unity, Abdulrazaq’s work invites viewers to reflect on their interconnectedness and celebrate the strength found in diversity.

This exceptional exhibition, presented by Happ Circle Gallery, showcases a range of mediums, including photography, paintings, and installations, promising a unique and enriching experience for art enthusiasts.

Abdulrazaq Ahmed explains more in an interview with Ireho Aito in Lagos.

What inspired your contribution to the “Deconstructing Unity” exhibition, and how does your work relate to the theme?

As an artist participating in the “Deconstructing Unity” exhibition, my contribution was inspired by core value and the rich cultural tapestry of the Argungu Festival in Kebbi State, which celebrates collaboration and community. The festival serves as aness, showcasing how diverse traditions and practices can unite people from different backgrounds.

My contribution was inspired by core value and the rich cultural tapestry of the Argungu Festival in Kebbi State,

Most of my works employ a mixed-media approach to illustrate the interplay of individual narratives within a collective experience. I utilized materials that represent both local craftsmanship and global influences, reflecting the multifaceted nature of our identities. For example, traditional gourd use by the fishermen for floating from the region are interwoven with elements sourced from other cultures, symbolizing how our unique stories create a greater whole.

The theme of “Deconstructing Unity” resonates deeply with me because it invites us to explore both the beauty and complexity of belonging. My piece (The Gourd of Life) emphasizes that while we may face disparities and challenges, these very differences can become strengths when embraced in collaboration.

I aim to encourage dialogue around how art can serve as a bridge—encouraging audiences to reflect on their own interconnectedness and the importance of coming together in celebration of our shared human experience.

My works seek to inspire viewers to recognize that unity is not about erasing differences but rather celebrating them, turning potential divides into opportunities for deeper connections like in, “Shield of Connection” (Another of my work) aligns with the exhibition’s goal of illuminating the values that bind us, inviting all to reconsider what it means to be part of a community.

Can you walk us through your artistic process and vision for the piece you’ll be showcasing in the exhibition?

Certainly! Take for instance; “Shield of Connection” it begins with extensive research on shields in order mimic the ‘protection’ derived through a Unified community. I spend time immersing myself in conversations with diverse groups, gathering stories and experiences that highlight both the similarities and differences that shape Argungu Festival.

I spend time immersing myself in conversations with diverse groups, gathering stories and experiences that highlight both the similarities and differences that shape Argungu Festival

I used mixed media, incorporating various materials to symbolize different aspects of culture and identity. This might include newspaper’s print, coins, natural elements like gourd, or found objects, each chosen for their unique texture and story.

As I move into the creation phase, I focus on layering – both literally and metaphorically. The layers in my artwork represent the different experiences within a community. I strive to create a visual dialogue, where each element interacts with others, echoing the differences contribute to a richer tapestry.

Throughout the process, I remain open to spontaneity and the unexpected result. I believe that art should evolve, just as communities do. This is how the piece develops and allowing it to guide me as much as I guide it.

My vision for “Shield of Connection” is to evoke a sense of protection, belonging and reflection. I want viewers to see their own stories woven into the piece and consider how they relate to the broader narrative of harmonised society.

How do you interpret the concept of “Deconstructing Unity,” and what do you hope viewers take away from your work in this context?

“Deconstructing Unity” challenges the notion that unity is a singular, homogeneous experience. Instead, it emphasizes the complexity and multifaceted nature of what it means to come together as a community. Each individual brings unique backgrounds, perspectives, and experiences that contribute to a rich tapestry of interactions.

Through my work, I hope viewers will engage in a critical reflection of their connections with others. By deconstructing the idealized vision of unity, I aim to highlight both the beauty and the struggle inherent in fostering genuine relationships. I want them to understand that true unity does not require uniformity; rather, it celebrates diversity and the coexistence of differing viewpoints.

I hope that viewers leave with a deeper awareness of the complexities involved in building community, recognizing that embracing our differences can lead to stronger bonds like a shield that honour the full spectrum of human experience.

What medium and techniques did you use to create your piece, and why did you choose them?

I used a combination of mixed media, incorporating elements such as acrylic paint, natural fibers, and found objects. The choice of acrylic paint allows for vibrant colours to create depth, symbolizing the richness of diverse experiences. Natural tactile quality that invites viewers to engage more intimately with the artwork, reminiscent of human connection and to highlight the beauty in our everyday life and the stories that these items carry with them. My technique emphasizes sustainability and the idea that every element, no matter how small, contributes to the larger narrative. By blending these mediums, I aimed to create a piece that’s visually sound and celebrating individuality while showcasing the strength of unity.

Is there a personal experience or story that influenced your contribution to the exhibition?

One of the personal experience that deeply influenced my contribution to the exhibition was the fact that I grew up in the northern part of Nigeria and have had the privilege to witness most major northern Festivals, thus, these Festivals have deposited sone ideas into me knowinglyandunknowingly.

I grew up in the northern part of Nigeria and have had the privilege to witness most major northern Festivals,

The first life shields I ever saw was in the North, thus, I made my own shields from coins to serve as a powerful metaphor for dedication and protection, both individually and collectively. Each coin represents a story—a memory, a struggle, or a triumph—linked to the lives of different people. With this; I create bigger than life armor that embodies honouring the unique narratives that strength lies in the ordinary, and that our individuality contributes to a greater tapestry of human experience. Together both personal identity and the unity found within our diverse backgrounds, encouraging dialogue and connection among all who encounter them.

Collaboration and Feedback How did you collaborate with the other participating artists or the exhibition curators, and did you receive any feedback that shaped your work?

Collaboration with other artists and the curator often involves open communication and an exchange of ideas. In this particular project, we held regular visual meetings to discuss our concepts and progress, which helped us align our visions while allowing for individual artistic expression.
Art is a shared dialogue that evolves through interaction.

Feedback played a crucial role in shaping my work during one of our visual meetings and review, the curator pointed out the potential to deepen the thematic exploration of identity within my pieces. This insight inspired me to incorporate more personal narratives, enhancing the connection viewers might feel. Additionally, the perspectives of fellow artists enriched my understanding of the collective experience, prompting me to adjust certain elements in my work to better resonate with overarching themes of unity and diversity.

Message and Impact What message do you hope your pieces convey to the audience, and how do you envision it impacting their understanding of unity?

The message I hope my work conveys is that unity does not mean uniformity; rather, it celebrates the beauty found in our differences while emphasizing our shared human experience. I envision the artwork prompting the audience to reflect more on their own identities and the connections they share with others, perhaps, it would deepen appreciation for diversity.

By engaging with the works, I aim for viewers to see the strength in collaboration and the importance of dialogue across cultures and backgrounds. I believe that art has the power to challenge perceptions and spark conversations, and I hope this exhibition serves as a catalyst for discussions about inclusivity, empathy, and mutual respect. May our audience be filled with a renewed sense of hope and a commitment to building bridges within their communities, recognizing that true unity can only be achieved when we honor and embrace our differences.

Future Projects Are there any upcoming projects or themes you’re exploring that build upon the ideas presented in your work for “Deconstructing Unity”?

Sure; I will be having a solo exhibition soon. Much of my artistic endeavor is deeply rooted in my experiences growing up in Northern Nigeria. The vibrant tapestry of life in that region—from the everyday struggles of the common man to the rich cultural traditions—serves as a fountain and the foundation for my creative expression. These individuals, the children-; the unsung heroes of the streets, embody the struggle and tenacity found in every striving soul around the globe. I hope to bring their stories to the forefront, highlighting the universal themes of struggle, hope, and community.

“Deconstructing Unity” is merely the tip of the iceberg

Interview /Ireho Aito/Don’t Keep Your Art in the Finger!/Photographs/Abdulrazaq Ahmed