February 25, 2026February 26, 2026 irehoaitonow

Cover | Peju Layiwola – The Professor Leaves the Classroom, But Holds On to Her Masterclass.

February 17, 2026February 17, 2026 irehoaitonow

ARTROAD – Exhibition | Unfolding Horizons: Nigerian Women Artists Take Graz by Storm

February 13, 2026February 13, 2026 irehoaitonow

Don’t Keep Your Art in the Finger! | The Lady Drinks Again by Professor Moyo Okediji

January 28, 2026January 28, 2026 irehoaitonow

Cover | Èrè Ìbejì Exhibition: Where Memory, Spirit, and Continuity Meet in Yoruba Culture

January 14, 2026January 14, 2026 irehoaitonow

Don’t Keep Your Art in the Finger!| Motherhood Under Fire – Nefe Ogodo’s Metaphor of a Nation Carrying Violence

January 8, 2026 irehoaitonow

ARTROAD – Culture | The Missing Drummer: Ben Enwonwu’s Lost Landmark at NITEL House. By Mudiare Onobrakpeya Who Was Born in Lagos and is Searching for the Iconic Statue

December 23, 2025 irehoaitonow

ARTROAD | Biodun Jeyifo at 80 – Theme – Who is Afraid of Decolonisation?

December 20, 2025December 20, 2025 irehoaitonow

ARTROAD – Honours | A Life of Grace and Legacy – Honouring Prince Demas Nwoko at 90, A Tribute From Bruce Onobrakpeya Family

December 19, 2025December 19, 2025 irehoaitonow

ARTROAD – Press Release | Sculptor Ato Arinze Confirmed as President of Sculptors Association of Nigeria (ScAN)

December 13, 2025December 13, 2025 irehoaitonow

ARTROAD – Culture | Hassan Aliyu’s Lagos to Paris — The Curatorial Genius Winning on Paris Stage