iBAND Magazine

February 4, 2026February 4, 2026 irehoaitonow

Don’t Keep Your Art in the Finger! | Inside Oshodi Art Gallery’s Special School for Children with Special Needs

February 2, 2026February 2, 2026 irehoaitonow

ARTROAD – Exhibition | When a Bank Became a Museum: Inside the Pop-Up That Rewrote the Rules – The Talking Points

January 28, 2026January 28, 2026 irehoaitonow

Cover | Èrè Ìbejì Exhibition: Where Memory, Spirit, and Continuity Meet in Yoruba Culture

January 28, 2026January 28, 2026 irehoaitonow

ARTROAD – Exhibition | From Studio to Spotlight, Inside Source and Tributaries

January 27, 2026January 27, 2026 irehoaitonow

Cover | Carol Thompson: Meet the Curator at the Margins of History, at the Center of African Art

January 26, 2026January 26, 2026 irehoaitonow

Cover | Ecobank Echoes Art: Championing African Creativity and Sustainability in Its Pop-Up Museum

January 20, 2026January 20, 2026 irehoaitonow

Cover | Yusuf Seidu Okus Blossom on Harmattan Workshop Memories, Mentorship, and the Spirit of Art

January 16, 2026January 16, 2026 irehoaitonow

Cover | Consistency Is Not Repetition And Why Showing Up Doesn’t Mean Staying the Same – Miabo Enyadike

January 14, 2026January 14, 2026 irehoaitonow

Don’t Keep Your Art in the Finger!| Motherhood Under Fire – Nefe Ogodo’s Metaphor of a Nation Carrying Violence

January 10, 2026January 10, 2026 irehoaitonow

ARTROAD – Workshop | The 28th Harmattan Workshop 2026 – Craft in Nigerian Modernity at Agbarha-Otor